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Speaking of keyboards, I'm not sure what they used but it sounds like one of the very early all-purpose synths of the time, with the very cheap piano emulation that sounds like a harpsichord on the intro, the organ sound at the end, and the highly modulated synth sound on the right side during the fade out (you need headphones to hear it). One of the cooler aspects of this record is the wide stereo field, with the guitars panned pretty hard to both sides, the keyboard on the left and the Mellotron up the middle. There are also a couple of bad breath pops from the lead vocal during the verses at :54 and 1:44 that are left in.
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This sounds like the approximately 120 millisecond predelay that comes when using a tape machine set to 7 1/2 ips in the send path to the reverb. The song is recorded very basically, but that was the style of Adrian Barber, who cut his teeth on some big records by Cream, The Rascals and Velvet Underground during his time as a staff engineer at Atlantic Records.Īll of the instruments are pretty dry and in your face except for the vocal, which has a very pronounced delayed plate reverb. "Dream On" was recorded on 16 track at Intermedia Sound in Boston, a studio that I worked at a lot during my days there.
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* The Rhythm: This is different from most songs in that it's provided by the picking guitars and keyboards in the intro, verse and interludes. * The Pad: The Mellotron in the intro, first verse and first interlude About the only thing that changes during the song is the sound of the keyboard and the addition of the Mellotron in the intro and interludes. "Dream On" features a straight ahead 5 piece rock band, with almost no sweetening. The melody and lyrics of the song very strong, and these sell the song to the casual listener who doesn't take much notice to the music probably more than anything else. This is a highly unusual song form indeed.
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The second interlude has the same motif as the intro, but is played in the major instead of a minor and is 7 bars long! Then we have the bridge (the high point in most songs) at 14 bars and the out chorus at 10. The first verse has 12 bars while the 2nd verse has 8. What's more, just about each section is a different length. Obviously this is not a song written by a formula, since the chorus takes so long before it's introduced (at about 2:05) and the bridge is the only section that actually contains the title of the song ("Dream On"). The band sent a cease and desist letter shortly afterwards as a warning.Intro (16 bars), Verse (12 Bars), B Section (4 Bars), Interlude (4 Bars), Verse (8 Bars), Chorus (6 Bars), Interlude 2 (7 Bars), Chorus (6 Bars), Bridge (14 Bars), Out Chorus (10 Bars) In 2015, Steven Tyler of Aerosmith requested that Trump desist from playing this iconic ballad at his political rallies ahead of the 2016 presidential election. It however, reached the top of the charts, peaking at number 6, three years later when Columbia records re-released it at the suggestion of David Krebs. Steven Tyler’s ex-wife Cyrinda Foxe authored a book titled Dream On in 1996, where she attacked the musician for his misdeeds.ĭream On was not a major hit immediately after its first release. Rapper Eminem used this track as the foundation for his 2002 hit song “ Sing for the Moment”. Guitarist Joe Perry did not like the song initially because it was a ballad. He also explained that the song came to him while he played the piano at age 17 or 18, and he never expected it to be a real song.ĭream On has been described as the single that saved the band from being fired by their record label. Tyler claims he got the inspiration for the song through listening to his musician father play the piano when he was 3. He was finally able to finish it when the band spent time together. The songwriter Steven Tyler had been working on bits of this particular track for at least six years. In order to focus their attention on songwriting for their debut album, the band’s manager David Krebs made them live in the same house. Dream On was Aerosmith’s first ever single.